From ENEO To SOCADEL: A New Dawn Or A New Name For Cameroon’s Power Crisis?

By Etienne Mainimo Mengnjo

In the dimly lit neighborhood of Damas in Yaoundé, the hum of a generator is a more familiar sound than the whir of a ceiling fan. This mechanical drone echoes from house to house, a constant reminder of the daily blackouts that define the local struggle for power.

However, following a presidential decree signed on May 4, the narrative is shifting. For millions of Cameroonians who have spent years navigating the unpredictability of ENEO’s grid, the transition to the Cameroon Electricity Corporation (SOCADEL) represents more than a corporate handover; it signifies a desperate hope for consistency.

However, as ENEO logo is stripped from utility trucks and replaced by the SOCADEL insignia, citizens are questioning whether they are witnessing a genuine revolution or merely a fresh coat of paint on a crumbling wall.

For decades, terms like “blackouts” and “rationing” have been the vernacular of daily life. Now, as the state retakes the reins, the nation watches with a mix of cautious optimism and deep-seated fatigue. The new corporation steps into a spotlight that reveals a heavy inheritance of debt, aging infrastructure, and a public weary of waiting in the dark.

Expectations are immense as the public awaits the first moves of this state-led entity. Among the common citizens on the streets of Yaoundé, hope is a fragile commodity tempered by past disappointments.

“When I heard that ENEO had been transformed to SOCADEL, nothing much struck me because it is still managed by the same people,” said Ethel, a trader in Mendong Market. “For years we have been crying for electricity to be constant but that is not the case, so I am expecting no change.”

Others hold a more expectant view, fueled by recent national investments in energy production. Estalla, a street hawker in the capital, expressed a desire for tangible results. “The transition to SOCADEL is something that I am expecting to see much change from,” she said. “Given that so many dams have been constructed, I expect to see constant electricity supply.”

For many, the success of the new board hinges on its ability to earn the trust of a disillusioned population. The leadership must confront a history of high bills, financial scandals, and allegations of employees participating in fraudulent activities.

“The new board at the helm of SOCADEL has to be more proactive because there are a lot of malpractices in the institution,” said James Dudu. “Putting the interest of the nation should be their main agenda that will propel them to make sure that Cameroonians have constant electricity.”

To Marie Claire, the new board must prove the skeptics wrong by solving the blackout crisis. “They have not been appointed to enjoy our taxpayer money but to work for the growth of the corporation and Cameroonians as a whole,” she added.

This transition is the latest chapter in a long history for the sector, which began with the birth of the Société Nationale d’Électricité (SONEL) in 1974. Initially a state-owned monopoly, SONEL served as a symbol of national development during the 1970s and 80s, overseeing major projects like the Songloulou hydroelectric dam.

By the late 1980s, however, the company fell into crisis due to poor management and a severe economic downturn. Financial collapse led to the introduction of scheduled power outages, setting the stage for controversial reforms.

Under pressure from the World Bank and IMF, the government privatized the sector in 2001. The U.S.-based AES Corporation acquired a 56 percent stake to form AES-SONEL, a move intended to bring in private capital and efficiency.

Instead, the era was largely defined by a lack of transparency and persistent service issues. By 2014, the British investment fund Actis purchased the shares for approximately $202 million and rebranded the utility as Energy of Cameroon (ENEO).

While ENEO oversaw some infrastructure improvements, its tenure was ultimately stifled by massive debt, chronic collection issues, and mounting consumer complaints. These systemic failures prompted the state to buy back the 51percent stake from Actis for FCFA 78 billion in November 2025.

This move culminated on May 4, 2026, when President Paul Biya officially launched SOCADEL as a 100 percent state-owned company, beginning a new era in Cameroon’s quest for reliable energy.

According to many Cameroonians, the success of this new chapter will not be measured by the ink on a presidential decree or the rebranding of office facades, but by whether a child in the remote areas of Cameroon can finally study under a steady bulb without the roar of a generator in the background or flickering glow of a candle.

Observers hold that since the government has reclaimed the sector; now it must prove that it can also reclaim the light. They state that for a nation that has spent decades in the dark, the transition to SOCADEL is more than a policy shift but a final demand for the dignity of a constant current.

Under the watchful eyes of the nation, Cameroonians say the era of excuses has been privatized, leaving the responsibility for Cameroon’s future squarely in the hands of the state.

Cameroonians Mourn Former House Speaker Hon. Cavayé Yéguié Djibril, Dead At 86

By Etienne Mainimo Mengnjo

Just months after being replaced as Cameroon’s National Assembly Speaker, Hon. Cavaye Yeguie Djibril has died at 86, leaving a nation to mourn the man who presided over parliament for three decades—even as it adjusts to a new chapter without him.

**Hon. Cavaye Yeguie Djibril, Former House Speaker** (Photo: Mainimo Etienne)

His death was first announced on social media on May 6. He was last seen in public during the opening session of the March 2026 Parliamentary Session for the new Legislative Year.

During the session, Hon. Cavayé was replaced as Speaker of Cameroon’s National Assembly on March 17, ending a 34-year tenure. Hon. Théodore Datouo, from the West Region, was elected in his place. Hon. Cavayé’s death comes shortly after that of the First President of the Senate, Senator Marcel Niat Njifenji, who died on April 11—just weeks after he was also replaced.

Speaking to Cameroonians along the streets of Yaoundé, many people expressed their deep condolences to the family of Hon. Cavayé. They described him as a “boaba” who served Cameroon faithfully until his last breath.

“It is sad to hear that Hon. Cavayé is gone, but we must give honour to whom it is deserved. He served Cameroon with his whole heart, and we truly appreciate this,” Marcel said.

To Edwin, a taxi driver, “Death has again taken a man of honour and respect. Hon. Cavayé was a great man, and we are proud that he did his best for Cameroon. I grew up knowing about him, and it was good to see him.”

A teacher who declined to state his name said, “It is a great loss to our nation Cameroon because Hon. Cavayé—whom many of us didn’t know how to pronounce when we were small—was a great statesman. After diligently serving his nation, I believe he deserved a peaceful rest. Adieu.”

Other Yaoundé residents also expressed profound grief, noting that within a space of two months, two great men—Senator Niat Njifenji and now Hon. Cavayé—have all gone beyond the land of no return. They said that although these men have left, they served the country with dignity, and what remains to be done is to pray for their families.

Hon. Cavayé Biography

Cavaye was born on February 1, 1940, in Mada, located within the Mayo-Sava department of the Far North Region. He was a member of the Mada ethnic group.

His initial career focused on education and public administration. Between 1960 and 1963, he attended the regional center for physical and sports education, subsequently working as a physical education teacher in Maroua. By 1965, he had transitioned into administration as the divisional inspector for the Far North.

Cavaye’s formal political journey began in April 1970 upon joining the Legislative Assembly of East Cameroon. In 1971, he assumed the role of traditional chief of the Mada, a position that allowed him to act as a vital link between the state and local communities throughout his career.

Following Cameroon’s unification in 1972, Cavaye was elected to the National Assembly in 1973. He moved swiftly through the ranks, serving as a questor in the assembly’s bureau. In 1975, he joined the central committee of the Cameroon National Union (CNU), which later evolved into the ruling Cameroon People’s Democratic Movement (CPDM).

In 1983, he was elected as the second vice-president of the National Assembly. After a brief hiatus starting in 1988 to serve as an assistant divisional officer in Diamaré, he returned to the legislature during the March 1992 multiparty elections. It was then that he was first elected president of the National Assembly.

Cavaye occupied the speaker’s chair for over three decades, from March 31, 1992, until March 17, 2026. He was eventually succeeded in the role by Théodore Datouo.

Throughout his leadership, Cavaye was recognized for maintaining rigorous discipline within the chamber. He was a staunch defender of national unity; notably, during the 2001 sessions, he denounced secessionist movements as significant threats to the country’s stability.

In addition to his legislative duties, Cavaye was the honorary president of the National Council of Traditional Rulers of Cameroon. He frequently advocated for a collaborative relationship between traditional authorities and the state, arguing that they should support rather than compete with government administration.

A powerful figure from the northern regions, Cavaye exerted influence that resonated on both a local and national scale. As his health began to decline in early 2026, observers reflected on a tenure marked by the passage of significant legislation, though critics often pointed to the assembly’s limited oversight of the executive branch.

Cavaye remains a landmark figure in Cameroon’s institutional evolution. He was a bridge-builder who harmonized his status as a traditional leader with his role as a modern statesman, connecting the Far North with the central government for more than fifty years.

Judith Yaah Sunday Praised CAMTEL Workers, Urges Crackdown On Fraud & Asset Misuse

By Etienne Mainimo Mengnjo

Judith Yah Sunday, general manager of Cameroon Telecommunications (CAMTEL), has praised the company’s workers for their commitment to the institution. He also pledged to fight fraud in all its forms, warning that company assets are not personal property.

**CAMTEL staff participate in the march-past in Yaoundé to commemorate the 140th International Labour Day** *(Photo: Mainimo Etienne)*

The general manager made the remarks on May 1 during celebrations marking the 140th commemoration of International Labour Day. The 2026 edition was observed under the theme “Social Dialogue and Decent Work: Factors of Peace, National Cohesion and Business Economic Development.”

Speaking during the reception ceremony in Yaoundé, Yah Sunday said, “My first words are to say thank you. Thank you for your daily commitment. Thank you for your resilience, often silent.”

He cited the recent World Trade Organization (WTO) conference and the Pope’s visit to Cameroon as moments that reflected CAMTEL’s exceptional performance, adding that it was made possible by the collective energy of staff.

“We thus proved that we are the pillar of technology of the nation during major diplomatic meetings. We also demonstrated our ability to bring global change with a professionalism that honours our nation,” she said.

While stating that Labour Day is not only a celebration, she indicated that it is “also a mirror that reflects the image of who we are, a working community united by a mission, driven by a shared goal.”

***Judith Yah Sunday,General Manager of CAMTEL addressing staff following the International Labour Day march-past in Yaoundé*** *(Photo: Mainimo Etienne)*

Revisiting the past year, the General Manager said it was not merely a year of management, but a year of transformation, carried out in a constantly changing technological environment in which performance requirements evolve as rapidly as ultra-fast broadband.

“CAMTEL is moving forward. CAMTEL is modernising itself. CAMTEL is making its marks,” he said.

Referring to the Presidential Decree signed in relation to the loan from the China Eximbank for Phase 4 of the national backbone, Judith Yah Sunday described it as a strong signal, a signal of trust and responsibility, saying the project will strengthen the resilience of CAMTEL’s network, improve the quality of service, and bring Cameroonians even closer together, whether in urban centres or in the most remote areas of the country.

“The broader the bandwidth of our ambitions, the more the obligation to produce becomes non-negotiable. I cannot stress this enough. It is not a company like any other. We do not merely serve services. We ensure continuity. We guarantee sovereignty. We are the invisible infrastructure that underpins the visible economy. We are the network that connects, secures and prospers. Being the secular arm of the state in the field of telecommunication is not just a slogan,” she said.

On fraud, Judith Yah Sunday described it as cancer that must be rooted out at all cost. She said every act of fraud is an act of betrayal against the company, against Cameroonians and against the state.

“I cannot tolerate the abuse and irresponsible use of our assets,” she said, adding that such practices may include poor maintenance practices, waste, lack of monitoring and reporting, reckless driving and unacceptable exposure to theft.

Concerning CAMTEL’s assets, , Judith Yah Sunday said, “I wish to reiterate that corporate vehicles, office equipment and material resources are not personal property. They are work tools funded by taxpayers and must be managed with the diligence of a prudent person.”

He also drew officials’ attention to the protection of infrastructure, saying it is a critical and vital factor for the institution’s performance. She noted that the network, optical fibre cables, equipment and technical sites are strategic national assets.

“Every cable cut, every site sabotage or vandalism, every piece of infrastructure damage is not just a material loss. It translates into a service disruption, depriving a Cameroonian of connection and leaving a business vulnerable. Protecting this asset is not solely the responsibility of technical or security teams,” she said.

Regarding indiscipline, absenteeism and unethical behaviour, the general manager said such issues will be addressed as strictly as necessary, with no passive tolerance or occasional leniency.

“Our workplace cannot be a space for distraction. CAMTEL must remain a space for focus, performance and professionalism in order to provide quality services to customers. In our presence, any CAMTEL employee caught during work hours selling items related to their status will simply be thanked and asked to return home,” she said.

**CAMTEL General Manager, Judith Yah Sunday, salutes staff upon arriving at the reception ceremony following the march-past at the Boulevard du 20 Mai in Yaoundé** *(Photo: CAMTEL)*

On service quality, Judith Sunday said it is not only about network speed or availability, but also about the quality of the welcome, the quality of listening and the quality of the relationship. She said workers’ rights are legitimate, but they carry “rather absolute responsibilities,” adding that he would not tolerate any compromise.

She urged CAMTEL staff to view no assignment or redeployment as punishment, saying it should instead be seen as a service requirement and an opportunity for professional development.

Despite the challenges, she said CAMTEL’s commitment remains strong. She added that, because the future is being shaped today, the company has integrated more than 700 young talents into its team.

She called on elders, directors and other leaders to mentor these young employees, saying they should not be seen as competition but as an extension of a shared responsibility to guide and develop the next generation.

Minister Fuh Calistus Gentry Hails Staff, Vows To Address Staff Grievances As Ministry Shifts To Major Production

By Etienne Mainimo Mengnjo

Fuh Calistus Gentry, the Interim Minister of Mines, Industry and Technological Development, (MINMIDT), has hailed his staff for the sacrifices and daily monitoring that have helped the Ministry moving towards its strategic goals.

**MINMIDT staff during the International Labour Day march-past in Yaoundé** *(Photo: Mainimo Etienne)*

Minister Fuh Calistus made the remarks May 1 during celebrations marking the 140th International Labor Day. The 2026 edition was celebrated under the theme, “Social Dialogue and Decent Work: Factors of Peace, National Cohesion and Business Economic Development.”

While congratulating the staff, the Minister stated that their sacrifices ensured the daily monitoring of the industrial policy, noting that results in terms of value chain development are already noticeable in certain sectors.

He reminded those in attendance that the culmination of these efforts materialized in a change of status for the country during the historic year of 2025. This was due to Cameroon’s international recognition as a mining-producing country following the commissioning of five major projects worth approximately $118 billion.

These include the Bipindi Grand-Zambi and Kribi Lobe iron ore projects, the Minim Martap industrial bauxite project, the Bidzar limestone project, and the Colomine gold project.

“We did not stop there, because in 2026 we continue to monitor projects that are starting up, including the Mbalam iron mining project, the Nkout iron mining project, the Ngovayang iron mining project and the Mborguéné, Bibemi and Mbe gold mining projects, which together have a value of over $90 billion at current exchange rates,” Minister Fuh Calistus said.

**The Interim Minister of Mines, Industry and Technological Development (MINMIDT), Prof. Fuh Calistus Gentry, addressing staff in Yaoundé following the May 1st march-past** *(Photo: Mainimo Etienne)*

The Minister added that together, these 11 mining projects are projected to increase state revenue and allow the government to reorganize the industry into four main sectors: iron, bauxite, limestone and gold.

He stated that in addition to being a mining producer, Cameroon is a strategic country for the global energy transition due to mineral wealth such as rare earths, monazite, cobalt, nickel and manganese. These projects are currently being restructured, and Minister Fuh Calistus noted their exploitation will have a significant impact on global economic power.

In an effort to strengthen the industrial base, the Minister announced that a national map of industry will be created in May 2026 to reduce persistent informality across all sectors. Aligning with the Labor Day theme, the Minister reassured staff that the Ministry will continue to consolidate gains and pursue a new dynamic through measures and reforms.

“Our ongoing consultations involving the representative of the staff delegate college and the workers will be maintained as in the past, in order to always reach a better consensus on the gradual improvement of your well-being, given your constantly evolving aspirations,” Gentry said.

He added that several of the concerns raised are addressed daily and are the subject of reflections have lead to remarkable solutions.

“However, we continue to carry out reflections — which are currently ongoing — in order to achieve the restoration of the MINMIDT staff mutual insurance scheme, which includes health coverage, and to establish more equity in the daily management of available resources for greater results,” the Minister said. He further noted that while perfection is not of this world and actions can be improved, he has made the staff’s grievances his own.

The staff delegate commended the Ministry’s efforts and the minister’s leadership regarding the launch of major mining projects. The delegate stated that these initiatives reflect the government’s commitment to making the mining sector a driver of sustainable development. However, the delegate also noted an urgent need for administrative training for new staff, AI writing, bilingual language training, and specialized training for sworn inspectors of classified establishments.

**Staff from MINMIDT gathered for a group photo following the May Day march-past at the Boulevard du 20 Mai in Yaoundé** (Photo: Mainimo Etienne)

Activities leading up to Labor Day in MINMIDT included a sports walk, a mini-sports tournament, a roundtable discussion on the role of staff representatives, and a community service day at all ministry facilities among others.

Virgin Of The Throne: The Long-Awaited Pan-African Epic Poised to Redefine Global Cinema

By Doc Moore

In an era where African cinema is steadily claiming its rightful place on the world stage, Virgin Of The Throne, the latest masterwork by visionary director Frank Rajah Arase, emerges as a profound artistic statement, one that is already commanding attention across continents and igniting conversations within global film circles.

Born from an introspective and philosophical inquiry into ancestry, memory, and the metaphysical continuity of existence, Virgin Of The Throne is not merely a film, it is a cinematic meditation. Frank Rajah Arase crafts a narrative steeped in the poetics of time, where history is cyclical, memory is ancestral, and destiny is both inherited and reimagined.

With an auteur’s precision, Arase interrogates the unseen forces that bind generations, presenting a story where unresolved truths reverberate across bloodlines and where the past is not a distant echo but a living presence. His directorial voice is both lyrical and commanding, seamlessly blending realism with mysticism to construct a filmic universe that is as emotionally resonant as it is visually transcendent.

This is, at its core, a Pan-African spiritual epic, an intricate tapestry woven across Nigeria, Ghana, Cameroon, and Sierra Leone, reflecting a shared cultural ontology while celebrating the continent’s plurality. The film transcends the conventional tropes of royalty and power, instead delving into the burden of inheritance: spiritual, emotional, and generational.

At the heart of this cinematic odyssey stands Syndy Emade, whose presence elevates the film into a realm of rare gravitas. An award-winning actress and producer, Emade embodies both the strength and enigmatic allure that define the film’s central ethos. Her performance is layered with emotional intelligence and symbolic depth, positioning her not only as a character within the narrative but as a living conduit of its thematic essence.

As one of Central Africa’s most influential cinematic voices, her involvement reinforces the film’s Pan-African identity while anchoring it firmly within the global marketplace. Emade’s portrayal is poised, commanding, and deeply evocative, an artistic triumph that is certain to resonate with audiences far beyond the continent.

Surrounding Emade is a formidable ensemble of distinguished actors whose collective artistry lends the film its epic scale and emotional complexity. Martha Ankomah brings a refined elegance and moral intensity, her disciplined screen presence illuminating the film’s exploration of virtue and destiny.

Adjetey Annan, with his seasoned mastery, injects gravitas and generational authority, enriching the narrative’s thematic depth. Segun Arinze commands the screen with regal poise and vocal authority, imbuing the film’s political and spiritual dimensions with profound weight.

Tony Umez, a revered figure of Nollywood’s golden era, delivers a performance marked by subtlety and introspective strength, bridging cinematic traditions with modern storytelling.

The film further benefits from the nuanced contributions of Margaret Echeghe, whose seasoned artistry reinforces its stature, and Haja Marie Mansaray, whose emotionally authentic performance signals the rising power of Sierra Leonean cinema.

Emerging talents such as Faith Fidel, Roselyn Ngiza, Ramadan K. Barrie, Abdulai Saidu Kamara, and Elizabeth Nhono Assamba enrich the narrative with cultural specificity, emotional resonance, and a compelling sense of continental unity.

Executed with remarkable strategic foresight, the film’s production reflects a harmonious balance between economic pragmatism and artistic ambition. With approximately 80% of principal photography anchored in Nigeria, home to one of the world’s most dynamic film industries, the production capitalizes on robust infrastructure, technical expertise, and logistical efficiency.

The remaining sequences, filmed across Ghana, Cameroon, and Sierra Leone, infuse the narrative with undeniable authenticity. These landscapes are not mere settings but living, breathing entities, repositories of culture, memory, and identity, each contributing to the film’s expansive Pan-African canvas.

Visually, Virgin Of The Throne is a triumph of cinematic craftsmanship. Shot using RED cinema cameras and premium RED Pro lenses, the film achieves a striking visual aesthetic characterized by exceptional dynamic range, rich chromatic depth, and meticulous textural detail.

The interplay of light and shadow is rendered with painterly precision, while the optical clarity of the lenses preserves the integrity of skin tones and emotional nuance. From sweeping, almost mythic landscapes to intimate, character-driven compositions, every frame is imbued with intentionality and artistic sophistication.

In post-production, the film undergoes a meticulous process of refinement, where advanced digital workflows converge with culturally rooted storytelling. The result is a rich, theatrical color palette and a seamless visual continuity that meets and arguably exceeds international streaming and festival standards.

Virgin Of The Throne is more than a film; it is a cultural milestone, a bold declaration of Africa’s narrative power and cinematic excellence. It stands as a testament to what is possible when visionary direction, exceptional talent, and strategic production converge with a unified purpose.

As anticipation builds worldwide, one thing is certain: this is not just a movie release, it is an event. A long-awaited Pan-African epic that promises to resonate across borders, challenge perceptions, and affirm that Africa’s stories, in all their depth and diversity, belong at the very center of global cinema.

The long-awaited Pan-African epic Virgin Of The Throne will premiere in Cameroon on April 23rd, 2026, at the prestigious Majestic Cinema, Canal Olympia, an occasion poised to mark a defining moment in the continent’s cinematic renaissance.

“When a story carries the soul of a people, it does not merely premiere, it arrives.”

Crossed Paths: A Cinematic Masterpiece Captivating Global Audiences

By Doc Moore

In an era where storytelling must fight to be heard above the noise, Crossed Paths emerges as a luminous triumph, an evocative, emotionally charged narrative that has swiftly captured the imagination of audiences across the globe.

Already on everyone’s lips and making resounding waves on social media, the film is generating an extraordinary surge of engagement, with a growing international following and a cascade of compelling reactions that underscore its universal appeal. It is, without exaggeration, proving itself to be one of the most remarkable cinematic offerings of its time.

At the heart of this gripping story lies a seemingly ordinary moment, one that unfolds into an extraordinary journey of fate, contrast, and human connection. When a poised young corporate woman finds her routine abruptly disrupted by a car breakdown on her way to work, she is thrust into the vibrant, unpredictable chaos of a Lagos danfo bus.

It is here, amid the pulse of the city, that she encounters a sharp-witted, street-smart conductor whose presence challenges her world in ways she never anticipated. From two vastly different realities, their chance meeting evolves into a profound and unexpected bond. In the relentless rhythm of Lagos, destiny intervenes, reminding us that life’s most defining moments often arise from the most unlikely intersections.

The film boasts an exceptional ensemble cast, each delivering performances of rare depth and authenticity. The magnetic Angel Unigwe commands the screen with grace and emotional precision, while the fast-rising and immensely talented Godisz Fungwa, whose star continues to ascend steadily within the industry, delivers a compelling portrayal that cements his place among the most promising actors of his generation.

Having previously made a powerful impression in the acclaimed production Saving Mbango, his presence in Crossed Paths adds both gravitas and dynamism. Alongside them, the seasoned brilliance of Nosa Rex and Emeka Okoye enriches the narrative, while Stephanie Tum, who not only stars but also serves as Executive Producer, delivers a performance marked by finesse and artistic maturity.

Behind the scenes, the film is a testament to the brilliance of a highly accomplished and visionary team. Under the masterful direction of Chimobi Mo’Nuel (Director Mo), Crossed Paths is elevated into a cinematic experience that is as visually compelling as it is emotionally resonant. The screenplay, meticulously crafted by Stella Ifekwe Chidinma and OdunAyomi Sikiru of the esteemed Omas Princess Benjamin Writers Agency, weaves a narrative tapestry rich in nuance, authenticity, and cultural depth.

Producer Claudia Siri, alongside Production Manager Oben K. Djeudo, ensures seamless execution, while the project benefits immensely from the creative oversight of Executive Producer Stephanie Tum through Embi Productions, a powerhouse known for delivering heavyweight productions, including the widely celebrated Saving Mbango.

Further enhancing the film’s allure is its soul-stirring original soundtrack, Follow You, composed and performed by Sine Tum and Obichi Marshall, a musical masterpiece that perfectly complements the emotional cadence of the story.

Crossed Paths is more than just a film, it is an experience, a reflection, and a celebration of destiny’s quiet yet powerful hand in shaping human lives. With its compelling narrative, stellar performances, and exceptional production quality, it stands tall as a defining work of contemporary cinema, one that continues to resonate deeply with audiences far beyond its immediate setting.

Bangolan Community Storms MINAT, Rejects Senator Fon Chafah In Demand For New Fon

By Etienne Mainimo Mengnjo

Hundreds of natives from Bangolan village in Babessi Subdivision, Ngoketunjia Division in the Northwest Region stormed the Ministry of Territorial Administration (MINAT) on April 27, demanding government authorization to install their new traditional ruler.

**Cross section of Bangolan natives siting around MINAT premises** (Photo: Mainimo Etienne)

The protesters staged a sit-in at the Ministry’s entrance in Yaounde while brandishing peace plants and placards rejecting, denying and calling for the definitive removal of Senator Fon Chafah XI.

During the sit-in protest in front of the MINAT building, the demonstrators held peace plants and placards bearing messages such as “Senator Chafah can no longer be the Fon of Bangolan, never again,” “Senator Chafah, stop using fake accounts on social media to sabotage our elites,” and “I just came from prison because of Senator Chafah,” “We are tired of Senator Chafah,” among others.

“We are here to tell the Minister of Territorial Administration that Senator Chafah is no more our Fon,” one Bangolan native said. “Besides, we are here to urge the Minister to give us the order to install our new Fon.”

A traditional title holder among the group explained that the community did not move to depose the Fon hastily. He stated that the village had extended invitations to the Senator on several occasions to address grievances, all of which were reportedly ignored.

“When Senator Chafah destroyed our culture, we did not automatically dethrone him,” the title holder said. “We gave him time and space. We called him more than seven times in seven broad markets but he turned down the invitation, ignoring us, and we decided to dethrone him.”

The natives expressed a desire for the Ministry to allow notables to resume traditional activities that have been stalled by the ongoing friction. They alleged that the Fon’s use of government authority has led to a climate of fear, including reports of torture and the imprisonment of notables on what they described as fabricated charges.

“We want the Minister to give us the permission for the notables to resume their traditional activities as they were before,” another title holder said. “There have been a lot of torture and beating and many people have died. Senator Chafah uses his authority and government power to intimidate us but we must preserve our culture to our last blood.”

A woman participating in the protest said the village is desperate for a return to normalcy, claiming that the legal system has been weaponized against them.

“We need peace. For the past 10 years, youths, notables, and even women find themselves in situations that they cannot explain,” she said. “People are being arrested randomly and taken to jail. Right now, as I am talking here, there are some notables who have life jail on them for things like crimes they did not commit.”

**Cross section of Bangolan natives around MINAT premises** (Photo: Mainimo Etienne)

Following the protest, Prince Aliyou Chafah told reporters that while citizens have a right to voice concerns, such expressions must be carried out within the bounds of the law, noting that the demonstration had not received prior approval. He rejected allegations against Sen. Fon Chafah Isaac XI as baseless and underscored the Fon’s dedication to reconciliation, including his refusal to enforce a 2021 life sentence ruling against several villagers.

The protest follows a recent administrative crackdown. On April 20, the Divisional Officer of Yaounde IV banned a planned meeting organized by Bangolan elites.

Meanwhile, this tension reached a boiling point earlier in February 2026, when the Ngumba Council, the village’s supreme traditional authority, announced the removal of Senator Fon Chafah Isaac. The council began a cleansing process, citing his 10-year absence from the land and the alleged destruction of sacred ancestral shrines.

The administration, through Senior Divisional Officer Henderson Kongeh, sharply rejected the traditional council’s actions as “null and void” and “sacrilegious,” insisting Senator Fon Chafah remains the official Fon for life.

As of March 2026, the state backs Senator Fon Chafah, but the traditional council and much of the community reject him, fueling a volatile chieftaincy crisis.

Senator Fon Chafah has since returned to the village to beg for forgiveness. This isn’t his first removal attempt. The crisis began in 2014, when his crown was reportedly removed in Bamenda by Prophet John Chi—a sacrilegious act.

In 2015, sacred sites were allegedly desecrated. Since 2016, he hasn’t returned and was declared persona non grata. Reconciliation efforts in 2025 failed due to low turnout. Tensions remain high as Bangolan prepares to select a new ruler.

GBHS Kumbo Alumni (1998–2005), “The Orchids”, Set Bold Agenda For Next Academic Year

By Etienne Mainimo Mengnjo

Turning nostalgia into a blueprint for action, the 2005 graduating class of Government Bilingual High School (GBHS) Kumbo, – “The Orchids – Batch of Excellence,” has unveiled a comprehensive development agenda for the 2026/2027 Academic Year centered on student scholarships and economic empowerment.

***A cross-section of alumni at AGM in Bafoussam***

Meeting in Bafoussam, West Region of Cameroon from April 24 to 26, the alumni cohort pledged to fund the education of at least five current students while simultaneously launching a financial intervention to help a struggling classmate establish a business, signaling a strategic shift from a social social club to a proactive development engine.

To strengthen the organization’s internal structure, members moved to integrate the National President into the Southwest regional branch, a strategic shift intended to revive the local chapter’s activities. Leadership also issued a call to alumni living in the diaspora, urging them to identify and join specific branches to ensure the association remains a global, cohesive unit focused on progress.

Despite the ambitious goals set during the three-day assembly, Tardzenyuy Richard, National President expressed a mixture of pride and concern regarding the current state of the union. While he lauded the enduring spirit of togetherness that defines the Orchids, he noted that active participation has seen a recent decline.

Tardzenyuy Richard highlighted a dip in formal membership, pointing out that registration fell from 60 to 53 members despite previous commitments made during their last gathering in Douala. He warned against a growing culture of “idontcarism,” citing missed deadlines for contributions and events as significant hurdles to the group’s success.

Reflecting on the year’s benchmarks, the President remarked that the achievement rate for various projects, particularly the effort to locate and reintegrate “lost” classmates, has been underwhelming. In an effort to rebrand the association’s mission and spark a new era of productivity, he proposed a shift in identity for the alumni.

“I propose we move from being just ‘ex-students’ to becoming ‘next-builders,’” Tardzenyuy Richard said, challenging the Batch of Excellence to look beyond their shared past and focus on constructing a legacy of development for the school and its community.

Cameroonian Drama Lights Out Premieres, Sparks Dementia Awareness Conversations

By Doc Moore

The Cameroonian film industry marked a significant milestone with the avant-premiere of Lights Out at Majestic Bessengue, where a compelling story on dementia, family, and institutional gaps unfolded before an emotionally engaged audience.

Produced by Check Sense Productions and supported by African Pictures International, the film is already gaining international attention ahead of its selection at the American Black Film Festival. The premiere brought together leading media houses, film professionals, and cultural stakeholders, signaling the growing global reach of Cameroon’s storytelling voice.

Earlier in the day, a high-level press conference set the tone for the premiere, framing Lights Out not only as a film but as a public health conversation starter. Moderated by Sahndra Fon Dufe, the session convened journalists from major outlets including DBS TV, Equinoxe TV, Vision 4, Canal 2 International, and The Guardian Post.

At the heart of the discussion was a crucial distinction: dementia as a neurological condition rather than a mental illness. Mental health specialist Nguh Stella emphasized that the disease stems from physical damage to the brain, leading to memory loss and reduced daily functioning. She warned that widespread misunderstanding continues to fuel fear and stigma, urging stronger public education.

Psychologist Djeugoum Jean Pierre echoed this concern, noting that while comprehensive national data is still being compiled, awareness initiatives, including those linked to the film, are already helping to shift public perception. He added that the Ministry of Public Health has been actively engaged on the issue for several years.

From a filmmaking perspective, Lights Out reflects a deliberate blend of art and advocacy. Director Enah Johnscott described the project as “both entertaining and educational,” while writer and co-producer Buh Melvin emphasized its deeper social mission: to spark dialogue and inspire institutional change, particularly in the area of dementia care facilities in Cameroon.

The film’s emotional core was evident during the evening screening. As scenes unfolded, the audience moved through waves of laughter, tension, and quiet reflection, culminating in a powerful climax that drew a standing ovation. The post-screening discussion further deepened engagement, with cast and crew offering insight into the creative and emotional demands of the project.

Lead actress Elizabeth Ngongang Wandji spoke candidly about preparing for her role as a dementia patient, highlighting the responsibility of portraying such a sensitive condition with authenticity. Her performance, shaped in part by real-life exposure to patients, stood out as one of the film’s defining elements.

Joining her on screen are acclaimed actors Wale Ojo and Shaffy Bello, alongside Syndy Emade, who used the platform to encourage greater intentionality among women entering the film industry.

Beyond its artistic achievements, Lights Out is positioning itself within a broader global conversation. With a multi-platform distribution strategy already in motion, the film is set for its U.S. East Coast premiere in Columbus, Ohio, on May 31, followed by a Pan-African release beginning June 1 in Abidjan.

Shot in Limbe and running for 87 minutes in English, Pidgin English, and French, Lights Out continues to build momentum as one of Cameroon’s most socially relevant cinematic works in recent years. As it heads to international audiences, the film carries not just a story, but a message: that understanding dementia is the first step toward compassion, care, and change.

Lights Out is produced by Carista Asonganyi (Producer and Executive Producer) and Buh Melvin (Baba Proxy), and directed by Enah Johnscott, whose acclaimed credits include Half Heaven (Prime Video, Cameroon’s official submission for Best International Feature Film at the 96th Academy Awards) and The Fisherman’s Diary (Netflix).

Veteran Security Guard, Moses Nkweta Jong Honored With Retirement Celebration In Mbankolo

By Etienne Mainimo Mengnjo

Members of the Wackenhut Veterans Association (WVAM) have staged a momentous retirement send-off Saturday for 60-year-old Moses Nkweta Jong, marking the end of a security career spanning more than three decades. The celebration, that took place on April 25 in Mbankolo, Yaoundé II Subdivision, highlighted the deep communal ties formed by colleagues who began their service together in the 1990s.

**Moses Nkweta Jong** (Photo: Mainimo Etienne)

The social evening served as testimony to the importance of workplace associations. Day and night shift members of the association, gathered for five hours of music, dancing and shared memories with Jong and his family. Nkweta Jong’s 34 year of service transitioned through various company iterations from Wackenhut to G4S and finally LGF.

During the ceremony, senior member Cyprain Ansambom praised Nkweta Jong as a model of professional conduct. Ansambom noted that Nkweta Jong was among the most punctual and obedient colleagues in the unit, consistently showing respect to the LGF chain of command and rarely drawing criticism from supervisors. He encouraged the retiree to maintain the same positive demeanor that defined his career.

“Remain the smiling man you were on duty while on retirement,” Ansambom said. “That will keep you on good footing in your new environment after 30 years in security.”

Bobey Romanus Ansama, the general overseer of the association, presented Nkweta Jong and his wife with a gift from the organization’s solidarity fund. Bobey Ansama stressed the significance of the gesture, noting it represented the final formal contribution from the group’s collective resources. He offered blessings to the remaining members, expressing his hope that they would all eventually leave their posts at the U.S. Embassy through the “main door” just as Nkweta Jong had.

**Moses Nkweta Jong and wife** (Photo: Mainimo Etienne)

Reflecting on his long tenure, Jong told the media he felt a profound sense of accomplishment. Despite the physical and mental demands of the industry, he noted that his health and professional record remained intact.

“As I am going on retirement, I am feeling very happy because I have worked so long and hard and have no problem at work,” Nkweta Jong said. “I am feeling happy because I am going on retirement in good health.”

Nkweta Jong admitted the decades spent in the security sector were filled with both challenges and moments of joy. He attributed his longevity in the field to a strict adherence to company policy and a respect for those in leadership positions. He offered a final word of guidance to those still in active service.

“The only medicine for work is to respect rules and regulations,” Nkweta Jong said. “Most of us have problems at work because we are stubborn by not respecting them.”

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